Open Research

  • Louise Bourgeois
    ... sprechen Regina Wyrwoll, Generalsekretärin der Kunststiftung NRW, Dr. Axel Brandi, Kulturstiftung Pro Bielefeld und Dr. Thomas Kellein, Direktor der Kunsthalle Bielefeld. Stefanie Trojan, Frankfurt, zeigt ihre Performance „berührt“ In einer groß angelegten Retrospektive stellt die Kunsthalle Bielefeld 120 Hauptwerke der großen Künstlerin als eine Auseinandersetzung mit der Familie vor. Es werden zwanzig Gemälde, mehr als sechzig Zeichnungen ... Räume, in denen ihre Kindheit dargestellt wird. Die Ausstellung wird großzügig durch die Kunststiftung NRW und die Kulturstiftung Pro Bielefeld unterstützt. Foto attached: Louise Bourgeois, 2003. Photo: Nanda Lanfranco © Studio Louise Bourgeois, New York Informationen: Christiane Heuwinkel Presse-/Öffentlichkeitsarbeit Kunsthalle Bielefeld Artur-Ladebeck-Str. 5 33602 Bielefeld
    http://www.kunsthalle-bielefeld.de/web_neu/download/27Bourgeois.doc
  • http://www.uni-bielefeld.de/Universitaet/Serviceangebot/Sport/UNIFIT/Aktuelles.html
    ... Liebe UniFit-Sportler und Interessierte, derzeit bauen wir für euch ein neues Fitness-Studio auf. Unter folgendem Link könnt ihr nähere Informationen hierzu einsehen: http://ekvv.uni-bielefeld.de/blog/uniaktuell/entry/moderner_fitnessraum_und_sanierung_der Ihr könnt euch schon jetzt auf ein supertolles neues Studio freuen!   Im UniFit liegt eine Nachrückerliste aus, auf der sich jede/r eintragen sollte, um seine Chancen zu verbessern einen ...
    http://www.uni-bielefeld.de/Universitaet/Serviceangebot/Sport/UNIFIT/Aktuelles.html
  • Conrad Felixmüller ? Peter August Böckstiegel: Arbeitswelten
    ... the farmer in his agricultural homeland of Arrode, which is very close to Bielefeld, Felixmüller found himself at the beginning of the 1920s in the Ruhr ... museum: 24.00 Euros. The P. A. Böckstiegel-Freundeskreis and the Kulturstiftung Pro Bielefeld are sponsors of the exhibition. Press photo attached: Peter August Böckstiegel: Portrait of the painter ... Münster © Böckstiegel Estate For more information and press photos, please contact: Christiane Heuwinkel Presse-/Öffentlichkeitsarbeit Kunsthalle Bielefeld Artur-Ladebeck-Str. 5 33602
    http://www.kunsthalle-bielefeld.de/web_neu/download/32Boeckstiegel_Felixmueller_en.doc
  • Jeff Koons
    ... von Künstlern wie Duchamp, Johns, Lichtenstein, Rosenquist oder Warhol perfektioniert und auf hohem Niveau weitergeführt. In Koons’ neuem Studio im New Yorker Stadtteil Chelsea entstehen derzeit rund ein Dutzend neuer Werke auf Leinwand mit Assistenten, die Computerentwürfe bearbeiten, Farben ... die Rolle des Künstlers zum Übermittler einer einfachen, prachtvollen Gestik. In einer thematisch angelegten Ausstellung zeigt die Kunsthalle Bielefeld Koons’ zweidimensionales Werk von 1980 bis 2002. Unter dem Titel »Jeff Koons. Die Bilder« stehen sowohl Fotografien und Drucke als ... Jeff Koons« Dr. Thomas Kellein im Gespräch mit Jeff Koons Sonntag, 22. September, 11.30 Uhr, Vortragssaal Die Kulturstiftung Pro ...
    http://www.kunsthalle-bielefeld.de/web_neu/download/11Koons.doc
  • Dr. Susanne Hecht - Fachsprachenzentrum
    ... Presse MitarbeiterInnen AbsolventInnen Uni von A - Z Veranstaltungskalender Personen-Suche eKVV-Vorlesungs- verzeichnis Mensaplan Suche Kontakt Webmail Universität Bielefeld > Fachsprachenzentrum der Universität Bielefeld    1978 - 1981 Freie journalistische Tätigkeit bei der Westdeutschen Allgemeinen Zeitung in Essen Link zur PEVZ 1981 - 1982 Regieassistenz ... erscheint voraussichtlich 2008) Fachsprachenzentrum  Sekretariat : Isolde Alexander, Raum S0-111 Telefon : +49 521 106-2613 E-Mail: isolde.alexander@uni-bielefeld.de Öffnungszeiten : täglich 9-12 Uhr Leitung : Dr. Susanne Hecht , Raum S0-107 Telefon : +49 521 106-4846 E-Mail ...
    http://www.uni-bielefeld.de/fachsprachenzentrum/cv.html
  • Environment: Studio vs. on location
    ... Environment: Studio vs. on location Next: Interaction and control Up: Data collection dimensions Previous: Visible recordings   Environment: Studio vs. on location   Recording in a studio   Most of the older speech corpora have been recorded in sound studios. Studio recordings have the drawback that most subjects do not feel at home in that environment   , with ... the common situation that speakers are recorded one at a time in a sound studio ...
    http://www.spectrum.uni-bielefeld.de/~gibbon/gibbon_handbook_1997/node119.html
  • Microphones and speech recordings
    ... of the microphone. For this reason dynamic microphones are, with some exceptions, rarely used as top quality studio   microphones.   2. Condenser microphones     Condenser microphones basically consist of a capacitor, one of the electrodes ... reproduction of the original course of the sound pressure. For high-quality studio   recordings most microphones used are condenser microphones. Since the output impedance of the condenser microphone ... power supply voltage is 48 V DC. To avoid DC offset on the speech signal, most ...
    http://www.spectrum.uni-bielefeld.de/~gibbon/gibbon_handbook_1997/node253.html
  • http://www.techfak.uni-bielefeld.de/~psteffen/pub/exbedding.pdf
    ... Compilation of a Domain Specific Language for Dynamic Programming Robert Giegerich Faculty of Technology Bielefeld University Postfach 10 01 31 33501 Bielefeld, Germany robert@techfak.uni-bielefeld.de Peter Steffen Faculty of Technology Bielefeld University Postfach 10 01 31 33501 Bielefeld, Germany psteffen@techfak.uni-bielefeld.de ABSTRACT Many combinatorial optimization problems in biosequence analysis are solved via dynamic programming. To increase ...
    http://www.techfak.uni-bielefeld.de/~psteffen/pub/exbedding.pdf
  • Index E
    ... vs. speaker-dependent systems | Pathological speech | Introduction | Data collection dimensions | Clandestine microphone recordings | Recommendations | Visible recordings | Visible recordings | Recommendations | Environment: Studio vs. on | Recording in a studio | Recording on location | Recommendations | Equipment | Equipment | Equipment | Equipment | Recommendations | Recording device | Recording device | Introduction | The communication chain | The ... metrics | Recommendations on evaluation methodology acoustic Speech quantity and quality | General remarks | Recording in a studio | The communication chain | Recording environment | 1. Laboratory room | 3. Recording studio ...
    http://www.spectrum.uni-bielefeld.de/~gibbon/gibbon_handbook_1997/node649.html
  • Full index
    ... language dialogue systems | Glass box assessment anechoic chamber Speaker-independent vs. speaker-dependent systems | 4. Anechoic chamber | 4. Anechoic chamber | Studio | 2. Microphone | Recommendations on the recording | Auditory environment | Open vs. closed headphones | 1. Equalising headphones | Modelling of ...
    http://www.spectrum.uni-bielefeld.de/~gibbon/gibbon_handbook_1997/node671.html
  • Contents
    ... comments SL corpus collection Introduction Data collection dimensions Visibility: open vs. secret Clandestine microphone recordings Recommendations Visible recordings Recommendations Environment: Studio vs. on location Recording in a studio Recommendations Recording on location Recommendations Interaction and control Random recordings Spontaneous dialogue recordings Interview recordings Read speech recordings ... Microphones and speech recordings Microphones Conversion principles Directional characteristics Recording environment Small room acoustics Recording rooms Recording chain: studio vs. on-site Studio On-site Data collection Recording procedure Recommendations on microphones and speech recordings Recommendations on microphones Recommendations on the ...
    http://www.spectrum.uni-bielefeld.de/~gibbon/gibbon_handbook_1997/node4.html
  • Index N
    ... speaker-dependent systems | Isolated words vs. continuous | Channel conditions | Channel conditions | Channel conditions | Recommendations | Recording in a studio | Recording in a studio | Recommendations | Recommendations | Recording on location | Recommendations | Monitoring and validation | Microphone | Microphone | Microphone | Microphone | Microphone | Recommendations | Amplifier/Processor | Recording ... 1. Omnidirectional microphones | 2. Unidirectional microphones | 2. Unidirectional microphones | 2. Unidirectional microphones | Recording environment | 4. Anechoic chamber | 4. Anechoic chamber | Studio | Studio | Studio | 2. Microphone | 2. Microphone | 3. Microphone preamplifier | 3. Microphone preamplifier | 3. Microphone preamplifier | 3. Microphone preamplifier | 4. Wiring and ...
    http://www.spectrum.uni-bielefeld.de/~gibbon/gibbon_handbook_1997/node658.html
  • Index M
    ... remarks | Introduction | Clandestine microphone recordings | Clandestine microphone recordings | Visible recordings | Visible recordings | Visible recordings | Recording in a studio | Recording on location | Random recordings | Random recordings | Equipment | Equipment | Equipment | Microphone | Microphone | Recommendations | Amplifier/Processor | Legal aspects | Introduction | The ... Anechoic chamber | 4. Anechoic chamber | 4. Anechoic chamber | 4. Anechoic chamber | 4. Anechoic chamber | 4. Anechoic chamber | 4. Anechoic chamber | Studio | Studio | 1. Pop noise | 1. Pop noise | 1. Pop noise | 1. Pop noise | 2. Microphone | 2. Microphone | 3. Microphone preamplifier | 3 ... ...
    http://www.spectrum.uni-bielefeld.de/~gibbon/gibbon_handbook_1997/node657.html
  • Interaction and control
    ... Interaction and control Next: Monitoring and validation Up: Data collection dimensions Previous: Environment: Studio vs. on Interaction and control In any speech recording, some control over the recording ... a business trip for two partners. The dialogues are recorded in a studio   with two separate rooms with visual contact through a window, and turn taking   is controlled via ...
    http://www.spectrum.uni-bielefeld.de/~gibbon/gibbon_handbook_1997/node120.html
  • http://coral.lili.uni-bielefeld.de/HyprLex/Datenbanken/sassenwpg.kwic
    aunt_AXX000: hello ? aunt_JXY001: hello there . hi there is Neill . aunt_AXX002: oh , Neill , how are you doing ? aunt_JXY003: fine . how are you ? aunt_AXX004: for a moment I had to think , who is this ? aunt_JXY005: uhu . aunt_AXX006: how are you doing , honey ? aunt_JXY007: fine , thanks . aunt_AXX008: good . what's happening aunt_JXY009: oh not too much . it's uh pretty quiet right now . aunt_AXX010: your wife is okay ? aunt_JXY011: she's fine , thank you , she's uh still temping still doing aunt_AXX012: doing what ? aunt_JXY013: temping , doing temporary work , you know . aunt_AXX014: oh , I see , I see . ...
    http://coral.lili.uni-bielefeld.de/HyprLex/Datenbanken/sassenwpg.kwic
  • The main chapters of the handbook
    ... first part, the dimensions of data collection are described which cover different recording scenarios such as studio   versus location recording, or interviews versus read material   , for example. It is also pointed out that important data ...
    http://www.spectrum.uni-bielefeld.de/~gibbon/gibbon_handbook_1997/node24.html
  • Index A
    ... language dialogue systems | Glass box assessment anechoic chamber Speaker-independent vs. speaker-dependent systems | 4. Anechoic chamber | 4. Anechoic chamber | Studio | 2. Microphone | Recommendations on the recording | Auditory environment | Open vs. closed headphones | 1. Equalising headphones | Modelling of ...
    http://www.spectrum.uni-bielefeld.de/~gibbon/gibbon_handbook_1997/node645.html
  • Index R
    ... variables | Wizard variables | Quantitative measures reverberation Microphone interfaces | Recommendation: Requirement profiles | Recommendation: Requirement profiles | Recording in a studio | 2. Unidirectional microphones | Small room acoustics | Small room acoustics | 4. Anechoic chamber | Recommendations on microphones | 1. Equalising headphones | Subject conditioning ...
    http://www.spectrum.uni-bielefeld.de/~gibbon/gibbon_handbook_1997/node662.html
  • Aktuelles
    ... ein gezieltes Training wurden die Probleme schnell behoben und der Ehrgeiz packte mich. Seitdem gehe ich mehrmals die Woche ins Studio und gerade in stressigen Situationen gibt es nichts besseres als sich beim Training auszupowern. Meine große Leidenschaft ist ...
    http://www.uni-bielefeld.de/Universitaet/Serviceangebot/Sport/UNIFIT/Team.html
  • Achievements
    ... including: A. Computer readable phonetic alphabets B. SAMPA description C. Speech file formats (SAM, NIST, Verbmobil) D. Recording protocols (studio, telephone) E. Compendium of public domain SL Corpora F. EUROM databases overview G. Speechdat and Polyphone ...
    http://www.spectrum.uni-bielefeld.de/EAGLES/rwpaper/node9.html
  • Management
    ... number of recordings within the given recording capacity. If speakers are recorded in a studio   , a time slot is reserved for each speaker. This time slot must be sufficient for ... the period as a reserve to cope with delays and interruptions. In studio   recordings, assign a time slot to every speaker. Once a speaker is in ...
    http://www.spectrum.uni-bielefeld.de/~gibbon/gibbon_handbook_1997/node125.html
  • keystone.dvi
    Journal of Integrative Bioinformatics 2006 http://journal.imbio.de/ A structural keystone for drug design Kristian Rother 1* , Mathias Dunkel 1 , Elke Michalsky 1 , Silke Trissl 2 , Andrean Goede 1 , Ulf Leser 2 , Robert Preissner 1 1 Institute of Biochemistry, Charit´e Universit¨atsmedizin Berlin, Monbijoustraße 2, 10117 Berlin, Germany 2 Institute of Computer Science, Humboldt-Universit ¨at zu Berlin, Unter den Linden 6, 10099 Berlin, Germany Abstract 3D-structures of proteins and potential ligands are the cornerstones of rational drug ...
    http://biecoll.ub.uni-bielefeld.de/volltexte/2007/200/pdf/jib-19.pdf
  • Visible recordings
    ... Visible recordings Next: Environment: Studio vs. on Up: Data collection dimensions Previous: Clandestine microphone recordings Visible recordings   In visible recordings, a speaker ... accustomed to the environment   and the task by doing some practice recordings.   Next: Environment: Studio vs. on Up: Data collection dimensions Previous: Clandestine microphone recordings EAGLES SWLG SoftEdition, May 1997. Get the book ...
    http://www.spectrum.uni-bielefeld.de/~gibbon/gibbon_handbook_1997/node118.html
  • Artificial vs. natural environment
    ... further disturbed by any undesired phenomena. In other words, in an artificial recording situation such as studio   recording one should try to provide the talker with the most natural environment possible ...
    http://www.spectrum.uni-bielefeld.de/~gibbon/gibbon_handbook_1997/node256.html
  • Burmeister_NLK08
    9. Norddeutsches Linguistisches Kolloquium (2008): 1–26 Said Sahel & Ralf Vogel (Hg.) ©2008 Melanie Burmeister Televison as saviour for endangered languages? - A survey among Scottish-Gaelic teenagers Melanie Burmeister Universität Greifswald The following article focuses on the use of media offers to strengthen endangered languages. A general introduction to situations of language endangerment is given and arguments for the use of minority language media offers to strengthen endangered languages are presented. ...
    http://biecoll.ub.uni-bielefeld.de/volltexte/2009/2003/pdf/Burmeister_NLK08.pdf
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